Giovanni Segantini, The Punishment of Lust, 1891, Walker Art Gallery, Liverpool, UK.
December is a month of snow (for those in the colder corners of the world…), hot chocolates with marshmallows, and mince pies. I’m slowly getting into this snowy mood and that’s why today I want to present to you a painter who loved mountains and snow: Giovanni Segantini.
Giovanni Segantini (1858-1899) was an Italian painter representative of a tendency called Italian Divisionism, which drew from the academic traditions of Italy’s rich visual heritage, yet it also took cues from the modernist practices of the French Neo-Impressionists or Pointillists. Contrary to Pointillists who used small dots of paint, Italians divided brushstrokes into so-called “filaments” in order to increase the chromatic luminosity of the painting.
Segantini had quite a tragic childhood. His mother died when he was seven and his father left the boy under the protection of his daughter from a previous marriage, Irene, and went away in a search of a job. Unfortunately, he died a year later, leaving Irene and Giovanni in extreme poverty. Segantini later ran away from home and was found by a priest. He didn’t know how to read or write, but the priest noticed that he could draw very well and he supported the boy in his first sketches.
When he was 21, he met Luigia Pierina Bugatti, a sister of his friend, known by the name “Buci.” Unfortunately, he couldn’t marry her, because he didn’t have citizenship of any state (he was born to an Italian family in Trentino, which at the time belonged to the territories of the Austro-Hungarian Empire, yet he didn’t have either Austrian or Italian documents). They decided to stay together despite the condemnation from the local community.
After being pursued by creditors, he moved with his family to Engadin Valley in Switzerland. This allowed him to paint en plain air, which he loved. The alpine passes and clear mountain light became his chief subjects. He built himself a mobile studio high in the mountains which would allow him to keep his canvases (often in enormous dimensions) overnight on the site. Segantini worked in the high-altitude mountains and the continuous cold and intense pace of his work badly affected his health. He became ill with acute peritonitis. One day, he was stricken with an attack while painting, and two weeks later, he died.
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Magda, art historian and Italianist, she writes about art because she cannot make it herself. She loves committed and political artists like Ai Weiwei or the Futurists; like Joseph Beuys she believes that art can change us and we can change the world.
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