#USA

Philip Guston, Riding Around, 1969, Private collection. Review

Philip Guston Now – A Controversial Exhibition

In May 2022 the long-awaited exhibition on Philip Guston titled Philip Guston Now finally opened at the Museum of Fine Arts in Boston. The show was...

Jimena Escoto 18 July 2022

Art Travels

Choose Your Destination: Best Vacation Spots for Art History Lovers

As we are all in the full swing of summer and ready to explore, we look at the best destinations to visit for art history lovers for holidays. Get...

Nina Relf 30 June 2022

Book cover Review

Book Review: A History of the World (In Dingbats)

A History of the World (In Dingbats), David Byrne’s new book of illustrations, is a charming and hopeful look at the past, present, and possible...

Louisa Mahoney 20 June 2022

Salvador Dalì with The Lost Wax. Courtesy of Harte International Galleries. News

Discovery of Salvador Dalí’s Lost Wax

On 11 May, 2022, Harte International Galleries announced the discovery of a long-lost bas-relief wax sculpture of the original Christ of St. John of...

Caroline Galambosova 6 June 2022

Theater & Cinema

Jaws: The Enduring Mystery of the Missing Painting

In 1976 the iconic original painting for the Jaws book cover and movie poster went missing. Was it lost, stolen, or carelessly thrown away? If this...

Guest Author 30 May 2022

Installation view of Whitney Biennial 2022: Quiet as It's Kept (Whitney Museum of American Art, New York, April 6-September 5, 2022). From left to right: Veronica Ryan, Between a Rock and a Hard Place, 2022; Awilda Sterling-Duprey, . . . blindfolded, 2020–; Duane Linklater, a selection from the series mistranslate_wolftreeriver_ininîmowinîhk and wintercount_215_kisepîsim, 2022. Photograph by Ron Amstutz Review

Secrets Revealed at the Whitney Biennial

The return of the Whitney Museum of American Art’s Biennial exhibition marked the opening of the New York spring art season. Quiet As It’s Kept,...

Jennifer S. Musawwir 30 May 2022

Review

Mulyana: Fragile Ecologies and Crocheted Ecosystems

In the last few months, SAPAR Contemporary in New York displayed the exhibition Mulyana: Fragile Ecologies. It featured some of the most interesting...

Arianna Richetti 2 May 2022

Design

What You Need to Know About Fabergé Easter Eggs

During one of my vacations, I got an unexpected treat – the opportunity to see two amazing collections of Fabergé Easter eggs in two days. One...

Alexandra Kiely 17 April 2022

Museum Stories

Angkor: The Lost Empire of Cambodia at the California Science Center

The California Science Center in Los Angeles, CA, is host to Angkor: The Lost Empire of Cambodia exhibition from 16 February 2022, through 5...

Maya M. Tola 14 April 2022

Quiz

Quiz: Cindy Sherman vs The Old Masters

Time for a little quiz for all those who consider themselves experts in the Old Masters! We will show you photographs made by Cindy Sherman, a...

Magda Michalska, Aniela Rybak-Vaganay 24 March 2022

Spellbound by Marcel cover Review

Spellbound by Marcel, But Not Really About Him

Ruth Branden’s Spellbound by Marcel: Duchamp, Love, and Art (New York: Pegasus Books, Ltd., 2022) is a new book about the New York City-based...

Alexandra Kiely 21 March 2022

Tomás Saraceno, Free the Air: How to hear the universe in a spider/web, 2022. Custom steel, wire net, wood, light, LFE, shakers, fog. Diameter: 95 feet. Artwork © Studio Tomás Saraceno. Commissioned by The Shed. Photo: Nicholas Knight. Courtesy the artist and Tanya Bonakdar Gallery, New York/Los Angeles; Neugerriemschneider, Berlin; Andersen’s, Copenhagen; Ruth Benzacar, Buenos Aires; and Pinksummer Contemporary Art, Genoa. Photo courtesy The Shed. Photo courtesy The Shed. Review

Tomás Saraceno at The Shed and Tanya Bonakdar Gallery

Tomás Saraceno is an Argentina-born, Berlin-based artist and community activist who has filled two New York City spaces with the wonders of spider...

Jennifer S. Musawwir 14 March 2022