Connect with us

DailyArtMagazine.com – Art History Stories

A Tribute to Medical Services: Doctors in Paintings

Rembrandt van Rijn, The Anatomy Lesson of Dr Nicolaes Tulp, 1632
Rembrandt van Rijn, The Anatomy Lesson of Dr Nicolaes Tulp, 1632, Mauritshuis, The Hague, Netherlands.

Special Occasion And News

A Tribute to Medical Services: Doctors in Paintings

In the last weeks, we have heard a lot about doctors and healthcare workers, thinking of them as present-day heroes facing up to death. But what do they usually do in everyday life? This journey will go through their daily routine… and through centuries: thanks to art. Here’s a selection of doctors in paintings.

Peter Simon, The Doctor Dismissing Death, 1785.
Peter Simon, The Doctor Dismissing Death, 1785, The Metropolitan Museum of Art, New York, USA.

1. The Visit

There are General Practitioners (GP’s) and Surgeons. A patient visits his/her GP so that they can make a diagnosis and suggest a cure. Nowadays, this happens mainly in the hospital or at the doctor’s office. In the past, however, the doctor would go to the patient’s house, elegantly dressed and without the white coat. This is what we see in these two Dutch genre paintings of the 17th century, representing the Doctor’s Visit. Here, the doctors touch, observe and listen to people. These are the same techniques that are still used today to understand the situation and make hypotheses.

Jan Steen, Doctor's Visit, circa 1660.
Jan Steen, Doctor’s Visit, circa 1660, State Hermitage Museum, Saint Petersburg, Russia.
Adriaen Gaesbeeck, Doctor's Visit, late 1640s.
Adriaen Gaesbeeck, Doctor’s Visit, late 1640s, State Hermitage Museum, Saint Petersburg, Russia.

2. The Surgeon: Before the Operation


On the other hand, a surgeon has different tasks and perhaps a different skill set. First, he/she evaluates and examines the patient in order to assess the potential benefits of surgical intervention. For example breathing, pulse and blood pressure must be checked. Also the patient has to be interviewed by various specialists to estimate the risks of operating on the patient. Then, if there are no contraindications, the patient can undergo surgery and the operating room has to be prepared. In the painting Before the Operation by Henri Gervex, the figures may represent the healthcare workers involved in the preparation of the surgical instruments visible on the left of the composition. The man delicately holding the patient’s hand is clearly performing a final check on the patient who is probably already anesthetized, just before the first incision.

Henri Gervex, Before the operation, 1887.
Henri Gervex, Before the Operation, 1887, Musée d’Orsay, Paris, France.

3. Different Operations

Surgery can now begin! Of course, there are different specializations within surgery. When having problems with bones and muscles, an orthopedic surgeon should be called. Whereas when brain surgery is needed, a neurosurgeon is the first port of call. As is the case today, not everyone trusted the doctors back in the 1600’s. Just look at the patient and their relatives in the painting by David Teniers the Younger. They observe the specialist skeptically while he seems to be attempting to reassure them.

David Teniers the Younger, A Surgical Operation, 1631 - 1640.
David Teniers the Younger, A Surgical Operation, 1631 – 1640, Museo del Prado, Madrid, Spain.

And just like today, some operations performed long ago required specific tools to get a closer look at the area in question. Today a microscope, yesterday a magnifying glass.

Benjamin Gerritsz Cuyp, Operation of the Magnifier, late 1630.
Benjamin Gerritsz Cuyp, Operation of the Magnifier, late 1630, Musée du Louvre, Paris, France.

4. Man of Science or of Faith?

However, there is something that has really changed in the medical profession: the magical and spiritual aspects of the healers. Currently, medicine and surgery are practiced using the scientific method and have become a more “laic” field. In the not too distant past, religious figures were involved not only as carers of souls but also of bodies. In a painting produced a little more than a century ago, a bishop can be seen blessing a pioneering operation on a man who has just had his limb amputated. Or perhaps he is merely giving him a final farewell before he succumbs to his inevitable fate. The bishop is a fundamental figure and even though he participates in the scene, he does not operate himself.

Théobald Chartran, Ambroise Paré au siège de Metz, pratique la ligature des artères sur un arquebusier blessé, late 19th century; Doctors in Paintings
Théobald Chartran, Ambroise Paré Using a Ligature on an Artery of an Amputated Leg of a Soldier, During the Siege of Metz, late 19th century, Université de la Sorbonne, Paris, France.

5. Painting Miraculous Doctors


Meanwhile, in previous centuries some saints seem to have been surgeons themselves. Therefore, when they are represented in paintings it may be in the medical healing of a person, amalgamated together with some “miraculous” features, especially during the mystical Middle Age or in the Renaissance. This is the case of Saint Luke, Saints Cosmas and Damian.

Saints Cosmas and Damian were twins who promoted both medicine and Christianity. We could say they were doctors of both the Church and Science! Their duality is perfectly represented in a panel from the 16th century, which depicts the replacement of a gangrenous leg with a healthy one taken from a corpse. At the same time a snake is expelled from the body of a reaper.

Fernando del Rincón, Miracles of the Doctor Saints Cosmas and Damian, circa 1510.
Fernando del Rincón, Miracles of the Doctor Saints Cosmas and Damian, ca 1510, Museo del Prado, Madrid, Spain.

Saint Luke is often represented as a painter or as someone involved heavily in medical tasks. He is in fact not only the patron saint of artists, but as well of doctors and surgeons. However, studies have concluded that he was more likely a doctor than an artist. For example, in the painting by Juan de Sevilla, he is performing head surgery on a man and some other figures observe or wait for their turn. Saint Luke is evidently bigger than the other characters, probably symbolizing his greatness both as a saint and as a surgeon.

Juan de Sevilla, Saint Luke, 1401 - 1435; Doctors in Paintings
Juan de Sevilla, Saint Luke, 1401 – 1435, Museo del Prado, Madrid, Spain.

6. Teaching and Learning in Medicine

Miraculously or not, the surgeon completes his/her daily duties in the operating room. Nevertheless, the work of a doctor is not complete yet: his students wish to become doctors, too. Teaching both theory and practice has always been an essential part of the medical world because it stands both on learning books and stealing your own teachers’ thunder.


Dr. Tulp teaches the anatomy of an arm to his students in the iconic oeuvre by Rembrandt. Dr. Laennec shows how to recognize pathological sounds in a patient’s chest.

Rembrandt van Rijn, The Anatomy Lesson of Dr Nicolaes Tulp, 1632; Doctors in Paintings
Rembrandt van Rijn, The Anatomy Lesson of Dr Nicolaes Tulp, 1632, Mauritshuis, The Hague, Netherlands.
Théobald Chartran, Laennec à l'hôpital Necker ausculte un phtisique devant ses élèves, 1816.
Théobald Chartran, Laennec Examines a Consumptive Patient with a Stethoscope in front of his Students at the Necker Hospital, 1816, Université de la Sorbonne, Paris.

A little more time in the day is necessary for staying up to date and carrying out research. A doctor never stops learning, just like Dr. Leroy in the panel by Jacques-Louis David. Notice the author of the book on the desk- it is Hippocrates, generally considered the father of Medicine.

Jacques-Louis David, Portrait of Alphonse Leroy, 1783; Doctors in Paintings
Jacques-Louis David, Portrait of Alphonse Leroy, 1783, Musée Fabre, Montpellier, France.

7. Deserved Rest!

The working day has now finally ended and the doctor can go home. At last, some rest wearing their favorite comfortable clothes! Dr. Pozzi probably used to do the same. He was a pioneering surgeon who loved his nightgown so much he wanted to be painted in it! Good night, tomorrow will be another day of hard work!

John Singer Sargent, Dr. Pozzi at Home, 1881; Doctors in Paintings
John Singer Sargent, Dr. Pozzi at Home, 1881, Hammer Museum (University of California), Los Angeles, USA.

If you enjoyed this article and want to read more about medicine in art history, check out:

Neurosurgery resident in Italy, who especially loves paintings and the relationship between Art and Medicine. Football addicted, lover of cats, mother of dragons (…that’s not true, but I wish it was)

Comments

More in Special Occasion And News

  • Baroque

    King Drinks: Jacob Jordaens and the Feast of the Bean King

    By

    Jacob Jordaens (1593 – 1678), a wonderful artist of the Baroque era, was keen on painting the scenes from peasants’ life. He first painted the famous feast of the bean king in the mid-1630s. Due to the popularity of the holiday, he began to receive regular...

  • Baroque

    Painting of the Week: Hendrik Heerschop, The African King Caspar

    By

    White subjects have dominated the Western art tradition for millennia, while people of color have been vastly underrepresented and misrepresented. The Dutch Golden Age is no exception. However, it has some sparkling examples of when people of color were portrayed in a noble, positive, and elevated...

  • Baroque

    Spanish Bodegones of the 17th Century

    By

    Looking at a painting and getting hungry? It might be a bodegón! Here we define the genre of Spanish bodegones in the context of 17th century European painting and acknowledge its ties to Italian and Dutch artistic schools. From Sánchez Cotán to Velázquez and Zurbarán, here...

  • Henri Fantin-Latour, Still Life or La Table Garnie, 1866. Calouste Gulbenkian Museum, Lisbon, Portugal. Photo by Yelkrokoyade, Wikimedia Commons. Henri Fantin-Latour, Still Life or La Table Garnie, 1866. Calouste Gulbenkian Museum, Lisbon, Portugal. Photo by Yelkrokoyade, Wikimedia Commons.

    19th Century

    Genres Explained: Still Life in Painting

    By

    In this article we explore the history of Still Life through a selection of ten paintings corresponding to two key moments: the 17th century in the Netherlands, and the 19th century in France. Baroque Dutch and Flemish artists painted still lifes with great skill, sometimes with...

  • Baroque

    Painting of the Week: Caravaggio, Amor Vincit Omnia

    By

    This young Cupid, recklessly painted by Caravaggio, follows Virgil’s saying amor vincit omnia (love conquers all). He triumphs over science, art, fame, and power, the symbols of which are strewn at his feet: musical instruments, laurel wreath, and pieces of armor. He has dark eagle wings and...

To Top

Just to let you know, DailyArt Magazine’s website uses cookies to personalise content and adverts, to provide social media features and to analyse traffic. Read cookies policy