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The Lady with the Dog


The Lady with the Dog

The Lady with The Dog is the title I borrowed from Chekhov’s short story. It is a story of an affair, yet in art the dog quite often has been a symbol of fidelity. As you will also see below dogs also have been symbols of status, posed as faithful companions or even as a fashionable accessory.

1. Agnolo Bronzino, Portrait of a Lady with a Lapdog

Agnolo Bronzino, Portrait of a Lady with a Lapdog, ca. 1533, Städel Museum - Lady with a dog

Agnolo Bronzino, Portrait of a Lady with a Lapdog, ca. 1533, Städel Museum

Here we are carefully observed by two pairs of focused and sharp eyes, the lady with the dog. The lady seems to be looking at us a little ironically, with the lightest of smiles on her lips. While the dog is mistrustful, almost leaning back into the lady’s arm for protection. She is a very self-assured figure. Ascertaining her position with all available attributes: rich jewellery, beautiful dress made of the richest of materials, the massive chair, and even the dog plays its part. It is interesting how similar the gaze of the pet is to that of his owner. He is a tiny lapdog of a rich lady, confirming her status but also her fidelity and virtues. The dress is so sumptuous that it almost lives a life of its own, becoming the striking splash of colour in this otherwise austere painting.

2. Titian, Venus of Urbino

Titian, Venus of Urbino, 1538, Galleria degli Uffizi - lady with the dog

Titian, Venus of Urbino, 1538, Galleria degli Uffizi

There is nothing austere about this painting. It is typically thought to be ordered by Duke of Urbino Guidobaldo II Della Rovere as a gift for his young wife, Giulia Varano. Venus lies on the bed, looking straight at the viewer. Her pose and directness of her gaze create the sensual and erotic tension. On the right side of the painting, where we seem to be getting out of the spell of her eyes, we see a dog and two servants in the background. The dog here is believed to be the symbol of fidelity, indicating that the women’s direct gaze and sensual body is meant only for her husband.

3. Titian, Clarissa Strozzi

Titian, Clarissa Strozzi, 1542, Gemäldegalerie Berlin

We’re sticking with the dog here, as you can see Clarissa Strozzi owned a dog of the same breed as Venus of Urbino (Papillon). Clarissa has none of Venus self-confidence. She wears jewelry that many adult women would envy, but her pose is unstable. Clarissa looks as if she is leaning towards the dog, but at the same time we feel something outside of the frame catching her attention. She is just about to move, and she’ll surely take her small companion with her. The dog just like in Bronzino’s painting seems a bit distrustful, as if it was cringing a bit. Maybe Clarissa pulled its tail on too many times, or maybe it is one of the breed characteristics.

4. Francois Boucher, Madame de Pompadour

Francois Boucher, Madame de Pompadour, 1758, Alte Pinakothek

Madame de Pompadour’s dog is not a happy one either. Clearly something startled him, or maybe he feels overwhelmed by the extremely rich green dress. She does pay him too much attention either, even though it is known she loved animals and was usually accompanied by a dog. Boucher depicts it here as if it is just another accessory, a thing to keep the boredom at bay, just like the book she’s holding or the letter on the table. Look at this dress, though, you can completely miss the dog in the dress’s rich waves.

5. Pierre Auguste Renoir, Madame Georges Charpentier and her Children

Pierre Auguste Renoir, Madame Georges Charpentier and her children, 1878, Metropolitan Museum of Art

In this case we have a scene that, on one hand, is completely different, a painting of a happy and relaxed family. On the other hand, the pose of Madame Georges Charpentier closely resembles the assured pose of Madame de Pompadour, she also confidently owns the space around her. It is also interesting how the dog creates a counterpoint, an extremely bored or patient at that, to the Mme Charpentier’s dress. The dog here is shown as the friend of the family, its protector and ever patient member.

6. Giovanni Boldini, Marchesa Luisa Casati with a greyhound

Giovanni Boldini, Marchesa Luisa Casati with a greyhound, 1908, Rijksmuseum

Here the dog becomes a perfectly matched accessory, just take a look at this collar! Its thin form underlined by the dramatic brushwork creates the basis of Marchesa’s elongated form. The painting is full of movement as if Casati stopped only for a second and is ready to storm off looking for another adventure any minute.

Here you can find Chekhov’s short story The Lady with The Dog at Project Gutenberg.

And here is some more interesting reading:

Giovanni Boldini’s Beautiful Belles

Luisa Casati: The Living Work of Art

Mannerism? Watch Your Manners!

Art historian by education, data geek by trade, art and book lover by passion, based in London in love with Europe and travelling around it. You can visit my book blog here:


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