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Get To Know The Marajoara Culture!

Ceramic plate , 400-1400, Collection of Brazilian Archeology of the National Museum / UFRJ

Latin American Art

Get To Know The Marajoara Culture!

You have probably heard of the Incas, Mayans, and Aztecs. These civilizations are called pre-Columbian, a division that includes everything that happened in the American continent from the Paleolithic until the Europeans arrived there in the 15th century. The Marajoara culture, which occupied part of the Brazilian territory that today corresponds to the Amazon, is also part of the pre-Columbian era.

Wait, have you never heard of these people? Normal. When the Portuguese arrived in Brazil in 1500, they had already disappeared about two hundred years before. The Marajoara civilization developed from the year 400 AD, but there are indications of human activity in the region since the year 1000 BC. Other civilizations also occupied the territory that would be called Brazil from 1500, but of all, it is the Marajoara culture that reached a level of complexity that went beyond a simple set of people living together. However, studies of it only began in the 19th century.

marajoara culture

Burian Urn, 1000-1250, American Museum of Natural History

The Marajoara was named after the present island of Marajó, where they lived reaching an approximate number of one hundred thousand people during the fourth phase of the occupation of the island. Some archaeological studies propose that this civilization began with a group originating in the Andes, while others maintain that it originated on the island itself.

In any case, the Marajoara culture developed in a very complex way. They were skilled especially in agriculture – after all, feeding 100,000 people hunting and fishing does not seem to be a task for amateurs… Another interesting characteristic of the Marajoara people is that they created artificial hills, or used existing mountain formations, to build their houses and thus, to avoid any floods.

Female phallus figurine, 400-1400, Museu Nacional da Universidade Federal do Rio de Janeiro

Marajoara art is composed mainly of ceramic artifacts, worked in a careful and extremely detailed manner. The first artifacts were discovered in 1871 and since then they have been seen as proof of the sophistication of the Marajoara culture. Their objects were both functional and decorative, and there is a bit of everything: pots, vases, funeral urns, toys and even little thongs, like the ones in the image below. Made of clay, the pieces were then decorated with drawings of snakes or other animals. There were also produced baskets of straw, jewelry, and tools.

marajoara culture

Ceramic thongs, 400-1400, Collection of Brazilian Archeology of the National Museum / UFRJ

Ceramic thongs, 400-1400, Collection of Brazilian Archeology of the National Museum / UFRJ

A few funeral urns have also been found which helped scholars to see the funerary traditions of the Marajoara. A person’s flesh was removed from the bones and the remains were deposited inside the urn. 

The Swiss researcher Emilio Goeldi is one of the main responsible for cataloging the ceramic works found in the Marajoara region. If you visit us often, you must have found this name familiar, and rightly so: Emilio Goeldi is the father of the Brazilian painter Oswaldo Goeldi, whom we have already presented here in the painting of the week.

Funerary vessel, 400-1400, The Collection of H. Law

Nowadays, the Marajoara culture is an inspiration for artisans who live in the region. Inspired by the graphics and the geometric motifs left by the ancestors, they manufacture pots, vessels and other ceramic objects, in a process almost all artisanal. In some villages, the community economy depends on this production.

Unfortunately, many pieces were lost, both by the lack of care of some people who found them and by the passage of time. It is not known exactly how the Marajoara reached the end of their civilization. Studies suggest that they simply left the island around 1300, long before the arrival of the European settlers in 1500. But why? Speculations arise.

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Someone who believes, through reading and intuition, that the history of art is the true history of humanity. In love with Renaissance art and a huge fan of the Impressionists.

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